Mam’zelle Nitouche

Mam’zelle Nitouche represented Fernandel’s only 1954 film vehicle. The horse-faced comic actor is cast as Celestin, an organist at a girl’s school. By day, Celestin is the meek and mild target of the girls’ incessant practical jokes. By night, however, he is the celebrated composer of popular operas — and the romantic vis-