All Movements Should Kill the Wind

Director:

A man, that animal which shapes its environment, which also shapes its brain. A fog, a bit harder than the air the dust of stones. A hexagonal structure, like a monolith of which one dare not ask questions. Two hundred kilometres from Beijing I found a sculpture factory where men lived amidst rocks that were waiting to be broken, cut, polished. The same gestures come back again and again to write a history of deterioration and repair. This history is obliterated in the making of monuments. With the wind that inexorably scatters the traces of these actions.

Eye for FilmA
Andrew Robertson