The Film Stage

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Allen Sunshine Review: A Tranquil Debut Feature with a World of Feeling

Directed with a sense of tranquil serenity and grounded maturity one might be accustomed to finding in the work of a seasoned director, Allen Sunshine is, quite remarkably, the debut feature of 25-year-old Harley Chamandy. The Montreal-born, New York-based filmmaker received the 2024 Werner Herzog Film Prize for his feature following its Munich Film Festival […]

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Asif Kapadia and Samantha Morton Imagine the Future in Trailer for La Jetée-Inspired 2073

The future looked quite bleak even before the events of last week, but now Asif Kapadia’s speculative hybrid feature 2073 feels all the more relevant following the disastrous American election. Following its Venice Film Festival premiere, the Samatha Morton-led project will arrive on December 27 and now the new trailer has been unveiled from NEON. […]

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Leos Carax’s It’s Not Me Coming to Theaters and Criterion Channel on December 10

Here’s a very welcome surprise before the end of the year: Leos Carax’s stunning cine-memoir It’s Not Me is getting a release this December. Sideshow and Janus Films announced today that the Cannes and NYFF selection will hit theaters in NY and LA as well as arrive on the Criterion Channel and VOD platforms on […]

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The Return Trailer: Ralph Fiennes and Juliette Binoche Reunite For Homer Adaptation

With his acclaimed drama Nowhere Special finally getting a U.S. release this past summer, four years after its premiere, Uberto Pasolini is now back with his next feature. The Return, which reunites the powerhouse duo of Ralph Fiennes and Juliette Binoche, is an adaptation of Homer’s Odyssey. Following a TIFF world premiere, Bleecker Street will release it in […]

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Tom Cruise Needs Our Trust In First Trailer for Mission: Impossible – The Final Reckoning

After back-to-back Mission: Impossible sequels were announced all the way back in 2019, the culmination of Christopher McQuarrie and Tom Cruise’s ambitious project will now finally be seen over six years later. Following pandemic and strike delays along with a title change, the eighth, seemingly concluding outing for Ethan Hunt has officially been unveiled as […]

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Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb

Most men think about the Roman Empire several times a week, if a recent meme is to be believed. With Gladiator II, Ridley Scott brings the era back to life in the way only a teenage boy could imagine it. Historical accuracy continues to be an irrelevance for the director, and who could blame him? […]

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Armand Trailer: Renate Reinsve Leads Norway’s Oscar Contender

After her 2021 breakout in The Worst Person in the World, Renate Reinsve’s 2022 and 2023 seemed fairly quiet for the viewer, but she was working on no shortage of projects that finally saw the light of day this year. Following A Different Man, Handling the Undead, Another End, and Presumed Innocent, she leads Armand, […]

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New to Streaming: A Different Man, The Outrun, My Old Ass, Used Cars & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. A Different Man (Aaron Schimberg) There are a lot of ways A Different Man could go and a lot of things it could be. Aaron Schimberg’s uniquely uncomfortable, uncomfortably unique feature […]

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NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy CinemaIn honor of Ken Kelsch, Abel Ferrara’s The Blackout and The Addiction screen on 35mm; prints of Douglas Buck’s Family Portraits: A Trilogy of America and the 2006 Sisters remake screen Saturday and Sunday, respectively. Film ForumA 4K restoration of Michelangelo Antonioni’s Il Grido begins; 42 screens on Sunday. […]

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Five Highlights from the 2024 Tokyo International Film Festival

There’s always the high-wire act, an exchange-and-trade, attending festivals in enviable parts of the world. Some locations only offer too much joy at the opportunity to kill time with a directorial debut that will never be seen outside these confines. Others are enough to chafe against entire concepts of cinephilia, to engender soul-searching questions such […]

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