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Rule of Two Walls Review: Ukrainian Docudrama Chronicles Essential Art During Wartime

How does culture survive in the midst of a war? Rule of Two Walls––written, directed, and edited by David Gutnik––asks the question and attempts to answer it. Filmed in Ukraine from April to November 2022 (just after Russia invaded the country on February 24 of that year), the film is a narrative feature driven by […]

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Locarno Review: Radu Jude Returns with Provocative, Amusing Eight Postcards from Utopia and Sleep #2

A year since Do Not Expect Too Much from the End of the World amused us so, Radu Jude has now unveiled two new experimental found-footage films in Locarno. And true to his current media and mass–culture interests, they respectively concern junky Romanian broadcast television, and a splotchy, low-resolution livestream of a cemetery site. Entitled […]

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Amnesiascope and Rohmer Fits Present a Night of Rare Éric Rohmer Shorts on August 19

Three consecutive sold-out screenings of The Green Ray made one thing clear: the people want more Rohmer. Thus I’m thrilled to announce my screening series Amnesiascope returns next Monday, August 19 to the Brooklyn Center for Theatre Research for a night of little-seen Éric Rohmer shorts co-presented with my friend (and Instagram sensation) Rohmer Fits. […]

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First Teaser Poster for Park Chan-wook’s I Can’t Help It, Which Begins Shooting This Week

Following up his noir melodrama Decision to Leave, Park Chan-wook ventured into the world of American television with the forthcoming Max series The Sympathizer, adapting Viet Thanh Nguyen’s acclaimed novel and teaming with Robert Downey Jr. As revealed earlier this year, he’s now set to return to South Korea for his next feature and as production begins […]

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Exclusive Trailer for 2024 Rockaway Film Festival Celebrates Films by Zia Anger, Wim Wenders, Ed Lachman & More

Returning for its seventh edition this year, the 2024 Rockaway Film Festival kicks off next weekend, taking place August 17-25 and featuring a rich lineup of cinematic and artistic events. Highlights include Zia Anger’s My First Film, featuring a Q&A with star Odessa Young and post-screening DJ set by Andrew Vanwyngarden of MGMT; the East […]

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Exclusive U.S. Trailer for The Paragon Harnesses Cosmic Power

One of the year’s best examples of resourceful filmmaking, Michael Duignan’s fantasy comedy The Paragon was shot over just 13 days in Auckland, New Zealand for a budget of around $15,000 in U.S. dollars. After premiering to much acclaim at Rotterdam and Fantasia, Music Box Films’ genre label Doppelganger Releasing will now give it a […]

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New to Streaming: Open Range, La Chimera, Shinji Sōmai, Banel & Adama, and More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. Banel & Adama (Ramata-Toulaye Sy) A directorial debut programmed into the main Cannes competition is typically viewed with suspicion, if not overlooked altogether. Very rare is that lightning-in-a-bottle moment […]

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NYC Weekend Watch: The Ghost Writer and Absolute Power on 35mm

NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy CinemaFidelio, our four-film program with Chapo Trap House’s Movie Mindset, closes with Roman Polanski’s The Ghost Writer and Clint Eastwood’s Absolute Power on 35mm, both introduced by myself, Will Menaker, and Hesse Deni this Friday, and with discounted $12 tickets by mentioning our program at […]

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The Criterion Collection Unveils Massive 40-Film Box Set for 40th Anniversary

With nearly 1,700 titles in their catalog, it’s hard to discern where exactly to start when exploring the Criterion Collection. To celebrate their 40th anniversary, the company has now made it a bit easier as they’ve unveiled CC40, a 40-film, 49-disc collection retailing for around $640 that is now the new go-to gift for that […]

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Jason Reitman Counts Down to Doomsday In Trailer for Saturday Night

Next year marks two anniversaries: the (more or less) 130th of cinema and 50th of Saturday Night Live. Perhaps, thus, some fitting convergence that no idea in the history of cinema has been less-compelling than Jason Reitman doing a one-two Birdman / Sorkin pastiche about the ticking-clock tension of whether or not Saturday Night Live‘s […]

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