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First Trailer for Don Hertzfeldt’s ME, Arriving Digitally This Week

Following up his sci-fi trilogy World of Tomorrow, animation extraordinaire Don Hertzfeldt unveiled his latest project earlier this year. Beginning a few months ago, his 22-minute, dialogue-free musical ME embarked on a nationwide tour, screening alongside his 2012 masterpiece It’s Such a Beautiful Day. If you missed your chance to see it on the big […]

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Injustice Comes Home In U.S. Trailer for Mohammad Rasoulof’s The Seed of the Sacred Fig

Few titles at Cannes carried greater weight than The Seed of the Sacred Fig, Mohammad Rasoulof’s first project to debut since an exile from his native Iran––little wonder in light of its focus on injustice and unrest as they reflect on the country’s women. Following a special award from the festival and pitstops in Toronto […]

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NYFF Review: Việt and Nam is a Swooning, Stirring Slow Cinema Romance

“Leave the light on. It’s easier for me to dream.” The opening shot of Việt and Nam, writer-director Trương Minh Quý’s sophomore film, is a feat of cinematic restraint. Nearly imperceivable white specs of dust begin to appear, few and far between, drifting from the top of a pitch-black screen to the bottom, where the […]

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Jia Zhang-ke Reveals He’s Working on an AI Short Film

After screening his latest film Caught by the Tides at the Busan International Film Festival, director Jia Zhang-ke met with the press, accompanied by his wife Zhao Tao. A frequent visitor to the BIFF, Jia started by saying he is recovering from eye surgery. Caught by the Tides repurposes footage Jia shot over a 23-year […]

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NYFF Review: Nickel Boys Finds Miraculous Beauty in the Horrors of the World

Nickel Boys, RaMell Ross’ narrative feature debut, is the story of a stubborn world, resisting change. Adapted from Colson Whitehead’s The Nickel Boys, it’s an experimental rendition shooting mainly through POV. We meet our protagonist not by looking at him, but by observing the world as he sees it. Elwood (Ethan Herisse) is the kind […]

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NYC Weekend Watch: Samuel L. Jackson, Akerman-Duras, Compensation & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Museum of Modern ArtAs the career-spanning Johnnie To retrospective continues, a Samuel L. Jackson series includes Pulp Fiction, Jackie Brown, and Jungle Fever on 35mm. BAMA Duras-Akerman double bill plays Sunday. Film at Lincoln CenterNYFF Revivals continues with films by Robert Bresson, Raymond Depardon, and Clive Barker, Compensation, and more. Film […]

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NYFF Review: The Friend Amply Portrays Grief with an Admirable Naomi Watts Performance

Independent filmmaking duo Scott McGehee and David Siegel’s The Friend, their newest in a 30-year collaboration, is a dog movie. Or, more aptly, it’s a film about a dog and Iris (Naomi Watts), a woman who hates dogs. Iris inherits a Great Dane, Apollo, from her late friend, mentor, and lover Walter (Bill Murray). The […]

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Posterized October 2024: Rumours, Woman of the Hour, La Cocina & More

Beyond Joker: Folie à Deux (October 4) and Smile 2 (October 18), this month is light on studio power. The indies are surely champing at the bit to fill the gap with a slew of festival darlings getting their limited releases in before Oscar voting. Searchlight, Focus Features, Neon, and A24 are all jockeying for […]

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New to Streaming: Evil Does Not Exist, Powell and Pressburger, Red Rooms, It’s What’s Inside & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. Babes (Pamela Adlon) Transitioning the naturalistic comic sensibilities that made Better Things a success, Pamela Adlon’s feature debut Babes manages to co-opt the rhythms of a romantic comedy to explore the relationship between […]

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It’s What’s Inside Director Greg Jardin on Manifesting Anxiety, Giallo Lighting, and the Road to Success

Premiering at Sundance Film Festival earlier this year, It’s What’s Inside seemed to come a bit out of nowhere. Despite its prime positioning in the Midnight section during the first weekend of the fest, the high-concept thriller features no big stars and no huge special effects. It popped off the screen in a big way, […]

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