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Boosted by Locarno-awarded debut Instinct, Dutch actor-director Halina Reijn fit nicely in the A24 canon with her satirical thriller Bodies Bodies Bodies. Yet the latter elicited rather lukewarm critical responses and it almost seemed Reijn might have been a one-hit European wonder fallen prey to the American dream. Then came Babygirl. As one of the […]
The post Venice Review: Halina Reijn’s Babygirl Marks a New Era of the Erotic Movie first appeared on The Film Stage.
NYC Weekend Watch is our weekly round-up of repertory offerings. Brooklyn Center for Theatre ResearchMy screening series Amnesiascope partners again with Rohmer Fits for an encore presentation of Éric Rohmer shorts on Sunday. Paris Theater“Big & Loud!” returns with 70mm prints of Vertigo, Phantom Thread, and Boogie Nights, along with The Abyss, Close Encounters, and films by Don Hertzfeldt. […]
The post NYC Weekend Watch: Rohmer Shorts, The Stranger and the Fog, Phantom Thread on 70mm & More first appeared on The Film Stage.
James Ivory has made so many films. And of the forty-plus he’s made––nearly everything under the Merchant Ivory Productions banner––many are masterpieces. Truly, you could count on one hand the number of living filmmakers as accomplished as James Ivory. So what an honor, then, to speak with him and filmmaker Stephen Soucy about the new […]
The post James Ivory and Stephen Soucy on Merchant Ivory’s Legacy, Life-Long Collaboration, and Their Best Film first appeared on The Film Stage.
Recently featured on our fall movie preview, Memoir of a Snail marks the long-awaited return to feature filmmaking from Adam Elliot, director of 2009’s Mary & Max and Oscar winner for the short film Harvie Krumpet. Featuring the voices of Sarah Snook, Eric Bana, Jacki Weaver, and Kodi Smit-McPhee, the film won the top prize […]
The post Memoir of a Snail Trailer: Mary & Max Director Adam Elliot Returns With First Claymation Feature in 15 Years first appeared on The Film Stage.
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. Crossing (Levan Akin) There’s no description of Levan Akin’s Crossing that won’t make it sound like the kind of feel-good dramedy which would have taken Sundance by storm in 2006. It […]
The post New to Streaming: Trap, Lee Chang-dong, Kinds of Kindness, Napoleon: Director’s Cut & More first appeared on The Film Stage.
Welcome to a new episode from The Film Stage! It’s not The Film Stage Show. It’s not The B-Side! It’s something else! It’s a Box Office Bonanza from The Film Stage! Here we talk about random box office weekends and where they fit into our lives. The movies, the memories! This episode features Dan Mecca, […]
The post The Film Stage Show Bonus Ep. – Box Office Bonanza (January 14, 2005) first appeared on The Film Stage.
After the detour of El Conde, Pablo Larraín returns with a study of opera singer Maria Callas, thus closing out a triptych of films on glamorous women, gilded isolation, and lingering death that began with Jackie in 2016 and continued via Spencer five years later. Maria stars Angelina Jolie, back with her meatiest performance in […]
The post Venice Review: Pablo Larraín’s Sparse But Admirable Maria Paints a Tragic Portrait first appeared on The Film Stage.
Whatever pedigree ought to be established as the sole film directed by Marlon Brando, One-Eyed Jacks spent so much time in obscure status and degraded states that no less than Martin Scorsese and Steven Spielberg had to revive it. Ahead of our presenting a rare IB Technicolor print at Nitehawk on Wednesday, September 4––Mr. Scorsese […]
The post Martin Scorsese on Marlon Brando’s One-Eyed Jacks: “It Cries Back to the End of the Westerns” first appeared on The Film Stage.
Zia Anger’s name has not broken into the mainstream; it’s instead been a kind of totem for underground film artistry, to whatever extent that even exists anymore. Her presentation-based My First Film earned traction as the ultimate vision / confession of artistic failure and regret, making somewhat peculiar the existence of My First Film, a […]
The post “I Hate Her”: Zia Anger on the Thorny Self-Portrait My First Film first appeared on The Film Stage.
Unless you’re a major studio or willing to pay for a rent-spiked ski lodge––and even then––few festivals ring more exclusive than Telluride, which has the distinction / misfortune of firing the starting gun for fall festivals and that ever-deleterious phenomenon we call “Oscar buzz.” Their 2024 lineup nevertheless features some films of note: Guy Maddin, […]
The post The Telluride Film Festival’s 2024 Lineup Includes Alfonso Cuarón, Guy Maddin, Alain Guiraudie & More first appeared on The Film Stage.
