The Film Stage

The Criterion Channel’s at its best when October rolls around and consistently engages in the best horror programming of any streaming service. 2024 will bring more than a few iterations of their spooky programming: “Horror F/X” highlights the best effects-based scares through the likes of Romero, Cronenberg, Lynch, Tobe Hooper, James Whale; “Witches” does what […]

The post October on the Criterion Channel Includes F/X Scares, Witches, Japanese Horror, Stephen King & More first appeared on The Film Stage.

Premiering at Berlinale before his Oscar win for Christopher Nolan’s Oppenheimer but now arriving many months after, Cillian Murphy will next be seen in Small Things Like These. Also starring Emily Watson, Michelle Fairley, and Eileen Walsh, Tim Mielants’ Berlinale opener will now arrive on November 8 from Lionsgate and now the first trailer has […]

The post Cillian Murphy Returns in First Trailer for Small Things Like These first appeared on The Film Stage.

Rarely am I devoting column space (whatever that means in virtual realms) to individual home-video releases––at least if they’re not likely to receive a complementary theatrical run. But I’m unusually elated seeing a favorite discovery get the upgrade most would rightly bet on never coming: Eiichi Kudo’s Yokohama BJ Blues, an ’80s Japanese anti-noir that […]

The post Masterful Japanese Noir Yokohama BJ Blues Receives New Trailer Ahead of December Rerelease first appeared on The Film Stage.

In the blink of an eye, Criterion’s 2024 is done. Though there’s still a cornucopia of discs awaiting arrival, we have a stem-stern view of this year’s line-up with today’s announcement of the December set. Entering the collection on sparkling 4K is No Country for Old Men, a film that’s (shockingly) never had home-video treatment […]

The post The Criterion Collection’s December Lineup Includes No Country for Old Men on 4K, Sammo Hung & More first appeared on The Film Stage.

NYC Weekend Watch is our weekly round-up of repertory offerings. BAMA Different Man director Aaron Schimberg has assembled an all-35mm retrospective of films that inspired his new feature, including work by Lynch, Lubitsch, Nicholas Ray, and Tsai; the 50th-anniversary restoration of The Conversation begins a run. Museum of Modern ArtA career-spanning Johnnie To retrospective has […]

The post NYC Weekend Watch: A Different Man Influences, Johnnie To, Ingrid Caven & More first appeared on The Film Stage.

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. Civil War (Alex Garland) While bound to spark hundreds of think pieces, Alex Garland’s stirring Civil War will undoubtedly go down, too, as one of the most provocative films of the […]

The post New to Streaming: Red Rocket, Robot Dreams, Kneecap, Riddle of Fire & More first appeared on The Film Stage.

“What if woody [sic] Allen had brain injury,” remarks the comic Adam Friedland in his rather direct Letterboxd review of Jerry Lewis’ The Ladies Man. Continuing a theme, Will Sloan also hails The Nutty Professor as a “profoundly strange object from a broken brain” in his own piece on the platform. These critical appraisals are […]

The post Venice Review: Jerry Lewis’ The Day the Clown Cried Emerges in From Darkness to Light first appeared on The Film Stage.

How blessed are we to have a whole six hours of Kevin Costner’s mythopoetic Horizon already make their way to (some) audiences, especially when this project has been on his wish list since 1988? I often try to demystify festival viewing experiences by supplying an honest, sometimes critical lens through which a reader can see […]

The post Venice Review: Kevin Costner Is Going Strong With Horizon: An American Saga – Chapter 2 first appeared on The Film Stage.

The world is ending and nobody cares in Ick, Joseph Kahn’s latest genre offering after 2017’s Bodied and 2011’s Detention. Despite only making four features in 20 years, Kahn is ubiquitous in pop culture from his background in directing music videos for major artists like Britney Spears and Taylor Swift. He also directed 2004’s Torque, […]

The post TIFF Review: Joseph Kahn’s Ick is a Riotous, Satirical Take on the Creature Feature first appeared on The Film Stage.

David Gordon Green’s career is one of the most unpredictable in Hollywood. Since his masterful and celebrated debut George Washington, he’s not been shy about planting a flag in a wide variety of films––dramedies, gritty thrillers, franchise horror reboots, political satires, and stoner comedies among them. It’s been more than a decade since he has […]

The post TIFF Review: David Gordon Green’s Nutcrackers is a Frustratingly Contrived Affair first appeared on The Film Stage.