In life and in cinema, Pedro Almodóvar likes to talk about death. When people aren’t losing their faculties in his films––like going blind (Folle… folle… fólleme Tim!), falling into comas (Talk to Her), or falling apart altogether (The Skin I Live In)––they dwell on the afterlife (a son’s in All About My Mother, his own […]
The post Venice Review: Pedro Almodóvar’s The Room Next Door Faces Death with a Light, Succinct Touch first appeared on The Film Stage.