The Film Stage

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The Line Review: Unflinching Thriller Underlines Unpleasantness of Frat Bro Culture

The Line is unpleasant. But then it should be, shouldn’t it? Written by Ethan Berger and Alex Russek and directed by Berger in his feature debut, this is a film about a college fraternity and all of the horrible sins committed in the name of tradition and brotherhood. Alex Wolff stars as Tom, a sophomore […]

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New to Streaming: The Wild Robot, Woman of the Hour, Alien: Romulus & More

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. Alien: Romulus (Fede Alvarez) It’s a dire, inhospitable environment, wherein corporate interests can give way to ghoulish monstrosities, and those just trying to navigate the chokehold of capitalism are […]

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NYFF Review: Suburban Fury Documents the Unlikely Woman Who Tried to Kill the President

On September 22, 1975, Sara Jane Moore, a 45-year-old single mom, drove into downtown San Francisco, pushed her way to the front of a crowded barricade, reached into her purse, pulled out a pistol, and fired two shots at President Gerald R. Ford as he walked out of the St. Francis Hotel. The first bullet […]

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NYC Weekend Watch: Bulworth, Gummo, Portuguese Cinema & More

NYC Weekend Watch is our weekly round-up of repertory offerings. BAMFilms by Warren Beatty, Mike Judge, and more play in Facing the Future; the restoration of I Heard it Through the Grapevine screens. Roxy CinemaGummo, Love Streams, and Dancer in the Dark play on 35mm, while Francis Ford Coppola’s Tetro screens screens on Saturday and a 16mm […]

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NYFF Review: Julia Loktev’s My Undesirable Friends: Part I – The Last Air in Moscow Reveals the Real World Horrors of Anti-War Russian Journalists

“The world you’re about to see no longer exists. None of us knew what was about to happen.”  Writer-director Julia Loktev––whose 13-year hiatus from filmmaking has left cinephiles in a curious stupor––has returned, and it was worth the wait. My Undesirable Friends: Part I – Last Air in Moscow marks a significant shift for the […]

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“You Cannot Project Your Desire”: Albert Serra on Afternoons of Solitude, Bullfighting, and Kristen Stewart

With Afternoons of Solitude, Catalan filmmaker Albert Serra returns to Spain for his first documentary: a bloodsoaked portrait of celebrity bullfighter Andrés Roca Rey and the procession of bulls he slays. Captured in tight framing, Serra’s camera conjures never-before-seen proximity to a frontier of bloodsport. Outside the bullring, Roca Rey floats through limousines and empty […]

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Dream Team Trailer: Lev Kalman & Whitney Horn Concoct a Soft-Core Fever Dream

Following their singular take on the Western genre with Two Plains and a Fancy, filmmakers Lev Kalman & Whitney Horn returned to the festival circuit earlier this year with Dream Team, an absurdist homage to ’90s basic-cable TV thrillers. Starring Esther Garrel and Alex Zhang Hungtai, with a producing team that includes I Saw the […]

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Exclusive Trailer for Dreaming Dogs Examines a Human-Canine Relationship in the Shadows of Moscow

Following up their fascinating 2019 feature Space Dogs, which explored street dogs in Russia while telling a larger story about the first living being to be sent to space, Laika the canine, directors Elsa Kremser and Levin Peter are back with another portrait of the overlooked strays of Moscow. Dreaming Dogs, which has premiered on […]

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Recommended New Books on Filmmaking: Brian De Palma, Agnès Varda, Wes Craven, and Movies for Kids

It seems appropriate to read about some of our greatest filmmakers during the fall. (Festival season! Prestige pics! Megalopolis mania!) Plus, a guide to cinema for kiddos from A24, a look at one of Schwarzenegger’s most fun flicks, and lots of noteworthy novels. And watch for one more roundup before the end of 2024.  The […]

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“I Want It to Feel as Real as a Documentary”: Sean Baker on Anora, Editing Breaks, and Old-School Camera Tricks

Sean Baker has been making films for nearly 25 years. With Anora, his Palme d’Or winner following the journey of a stripper from Brooklyn, he’s ascended further into popular culture. Baker isn’t a mainstream filmmaker, though, instead thriving in the independent scene with consistent critical hits. His last five films have been about sex workers, […]

The post “I Want It to Feel as Real as a Documentary”: Sean Baker on Anora, Editing Breaks, and Old-School Camera Tricks first appeared on The Film Stage.