In this year’s diverse line-up of Venice competition titles, there is one that stands out. A film without any predecessors or useful comparison-companions, a truly singular example of a cinematic mystery: Dea Kulumbegashvili’s sophomore feature April. After two shorts at Cannes and a debut (2020’s Beginning) that (to say the least) wowed TIFF, San Sebastian, […]
The post Venice Review: Dea Kulumbegashvili’s April is a Mystical Cinematic Revelation first appeared on The Film Stage.