Anderson and Curtis discuss how their experiences as actresses colored their roles.
The post Interview: Pamela Anderson and Jamie Lee Curtis on ‘The Last Showgirl’ and the Pains of Rejection appeared first on Slant Magazine.
Place here is less important than its function as an allegorical echo chamber.
The post ‘The Damned’ Review: Thordur Palsson’s Atmospheric, If Narratively Thin, Morality Tale appeared first on Slant Magazine.
The film attests to the power of art-making to affirm life in the face of omnipresent death.
The post ‘From Ground Zero’ Review: A Stirring Testament to Art as a Tool of Survival appeared first on Slant Magazine.
Delpero discusses what she hopes spending time in a bygone era offers to modern viewers.
The post Interview: Maura Delpero on the Painterly, Pastoral Beauty of ‘Vermiglio’ appeared first on Slant Magazine.
Blumberg discusses developing the film’s main musical themes, his collaborators, and more.
The post Interview: Daniel Blumberg on Composing the Monumental Music of ‘The Brutalist’ appeared first on Slant Magazine.
Nivola discusses where he saw connections to his own life in Brady Corbet’s film.
The post Interview: Alessandro Nivola on Building His Complex Character in ‘The Brutalist’ appeared first on Slant Magazine.
The hedgehogs are the stars here, and it’s no longer a surprise as to why that is.
The post ‘Sonic the Hedgehog 3’ Review: Chaos Control appeared first on Slant Magazine.
Kapadia’s film is a clunky fusion of sci-fi fiction and political documentary.
The post ‘2073’ Review: Asif Kapadia’s Docufiction About the Earth’s Future Spirals into Despair appeared first on Slant Magazine.
Morrison’s feature directorial debut is marked by a vivid emotional authenticity.
The post ‘The Fire Inside’ Review: Rachel Morrison’s Boxing Drama Isn’t One for Cheap Shots appeared first on Slant Magazine.
The India on display in Santosh is fascinatingly shot through with contradictions.
The post ‘Santosh’ Review: Sandhya Suri’s Police Drama Reckons with Power’s Corrupting Force appeared first on Slant Magazine.