Campillo’s oddly paradoxical film is at once lackadaisical and urgent.
The post ‘Red Island’ Review: Robin Campillo’s Remembrance of Things Past appeared first on Slant Magazine.
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Campillo’s oddly paradoxical film is at once lackadaisical and urgent.
The post ‘Red Island’ Review: Robin Campillo’s Remembrance of Things Past appeared first on Slant Magazine.
In Constance Tsang’s feature-length directorial debut, silence speaks volumes.
The post ‘Blue Sun Palace’ Review: A Quietly Gripping Portrait of Grief and Displacement appeared first on Slant Magazine.
These found-footage films further solidify Jude’s status as one of our most vital artists.
The post Locarno Film Festival 2024: Radu Jude’s ‘Eight Postcards from Utopia’ and ‘Sleep #2’ appeared first on Slant Magazine.
Monica Sorelle’s Mountains is a film about work that nonetheless champions leisure.
The post ‘Mountains’ Review: Monica Sorelle’s Warm, Intimate Look at a Disappearing Community appeared first on Slant Magazine.
The film sees intimacy and isolation as two sides of the same coin.
The post ‘The Sparrow and the Chimney’ Review: Ramon Zürcher’s Dysfunctional Family Portrait appeared first on Slant Magazine.
Gearbox’s hit game series arrives on the big screen, losing its entire personality in the process.
The post ‘Borderlands’ Review: Eli Roth’s Misguided Adaptation of a Classic Video Game Series appeared first on Slant Magazine.
Donaldson discusses her choice to let her main character sit in silence for so long.
The post Interview: India Donaldson on ‘Good One’ and Playing with the Rules of Perspective appeared first on Slant Magazine.
The importance of touch between a parent and child looms large over nearly every scene.
The post ‘Daughters’ Review: A Quietly Devastating Portrait of Girls and Their Incarcerated Fathers appeared first on Slant Magazine.
The film perfectly encapsulates the disaffection, alienation, and paranoia of an era.
The post ‘The Conversation’ Review: Francis Ford Coppola’s Melancholic Tale of Surveillance appeared first on Slant Magazine.
The film seems content to merely adapt the “Personal Life” section of Beckett’s Wikipedia page.
The post ‘Dance First’ Review: James Marsh’s Biopic Gives Samuel Beckett the Wikipedia Treatment appeared first on Slant Magazine.