This feels like the most honest, human, and heartfelt tale that Burton has told in decades.
The post ‘Beetlejuice Beetlejuice’ Review: A Jubilant Sequel That Exhumes the Tim Burton the Old appeared first on Slant Magazine.
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This feels like the most honest, human, and heartfelt tale that Burton has told in decades.
The post ‘Beetlejuice Beetlejuice’ Review: A Jubilant Sequel That Exhumes the Tim Burton the Old appeared first on Slant Magazine.
The film is a blackly comic romp whose parts are more compelling than the arthritic whole.
The post ‘The Front Room’ Review: Brandy vs. Kathryn Hunter in Dubious Geriatric Horror appeared first on Slant Magazine.
The film is certainly chatty, yet it conveys so much through absence and suggestion.
The post ‘His Three Daughters’ Review: Azazel Jacobs’s Slyly Profound Drama About Processing Grief appeared first on Slant Magazine.
Rebel Ridge is a race thriller that, up to a point, is as effective as they come.
The post ‘Rebel Ridge’ Review: Jeremy Saulnier’s Action Thriller Gets Gun Shy When It Matters Most appeared first on Slant Magazine.
The film lucidly reminds us of the human stakes of Israel’s resettlement of the West Bank.
The post ‘No Other Land’ Review: A Searing Cri de Coeur Against Israel’s West Bank Occupation appeared first on Slant Magazine.
The Order stands out among bank robber films through the fervent fanaticism of its villains.
The post ‘The Order’ Review: A Sturdy Crime Thriller That Confronts White Nationalist Terror appeared first on Slant Magazine.
The witty repartee between Clooney and Pitt feels like the only thing holding the film together.
The post ‘Wolfs’ Review: George Clooney and Brad Pitt Walk Into a Room and Coast on Cool appeared first on Slant Magazine.
In The End, Oppenheimer again probes the idea that history is written by the victors.
The post ‘The End’ Review: In Joshua Oppenheimer’s Musical Whatsit, the Rich Are Fish in a Barrel appeared first on Slant Magazine.
Wilson discusses the influence of Kore-eda’s After Life, the film’s mirroring structure, and more.
The post Interview: Lana Wilson on Connecting with Psychics and Audiences in ‘Look Into My Eyes’ appeared first on Slant Magazine.
Anger and Young discuss their symbiotic partnership on the set of the meta film.
The post Interview: Zia Anger and Odessa Young on the Freedoms of ‘My First Film’ appeared first on Slant Magazine.