In the context of the trilogy, Youth (Homecoming) feels both standalone and summative.
The post ‘Youth (Homecoming)’ Review: Wang Bing’s Sorrowful Coda to His Textile Worker Trilogy appeared first on Slant Magazine.
Francis Ford Coppola’s 50-year-old dream is now an audacious, uncompromising reality.
The post ‘Megalopolis’ Review: Empire State of Mind appeared first on Slant Magazine.
The film obnoxiously looks back at the first SNL with the 20/20 vision of hindsight.
The post ‘Saturday Night’ Review: Jason Reitman’s Love Letter to ‘SNL’ Is Closer to Smug Fan Fiction appeared first on Slant Magazine.
But how deeply can a film explore the psyche of a man who so nakedly shows us his worst?
The post ‘The Apprentice’ Review: Ali Abbasi’s Docudrama Knows Exactly Who Donald Trump Is appeared first on Slant Magazine.
This year’s edition of the festival is a cinematic cornucopia unlike any other.
The post New York Film Festival 2024 appeared first on Slant Magazine.
The tone of Sora Neo’s film wobbles between a sober social commentary and outright satire.
The post ‘Happyend’ Review: It’s Only a Teenage Wasteland appeared first on Slant Magazine.
Araki discusses how society has and hasn’t caught up with his incendiary trilogy of films.
The post Interview: Gregg Araki on the Teen Apocalypse Trilogy’s Generation-Defying Sense of Doom appeared first on Slant Magazine.
The film is a devious commentary on the all-too-human desire for easy explanations.
The post ‘Sleep’ Review: Jason Wu’s Shape-Shifting, Parenthood-Themed Debut Gets Under the Skin appeared first on Slant Magazine.
Like his hero, Corbet has made an unvarnished monument to the authentic American character.
The post ‘The Brutalist’ Review: Brady Corbet’s American Epic Is Built to Weather the Ages appeared first on Slant Magazine.
The film is a handsomely mounted production in which much of the filth feels stage-managed.
The post ‘Harvest’ Review: Athina Rachel Tsangari’s Moody, and Mopish, Medieval Period Piece appeared first on Slant Magazine.