Ioncinema

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What Does that Nature Say to You | 2025 Berlin Intl. Film Festival Review

What Does that Nature Say to You | 2025 Berlin Intl. Film Festival Review

The Parent Trap: Sang-soo Takes Sideways Swipe at Social Etiquette

A constant purveyor of how subtle social cues are obliterated by the lowered inhibitions of alcohol, Hong Sang-soo unveils his meatiest narrative in years with What Does That Nature Say To You. The set-up is familiarly threadbare, with numerous lackadaisical interactions between some sort of creative type confronted by new people whose orbits slowly circle one another as they engage in an eat/drink/be merry scenario. But it builds to a surprisingly weighty climax in a third act which is more confrontational about duplicitous human behaviors than most of his past works.… Read the rest

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Interview: Péter Kerekes – Wishing on a Star (2024 Marrakech Intl. Film Festival)

Interview: Péter Kerekes – Wishing on a Star (2024 Marrakech Intl. Film Festival)

Fiction and documentary filmmaker Péter Kerekes ventured into a documentary subject he initially had little interest in—until he encountered the captivating personality of a small-town astrologer in Italy. This astrologer’s unique methodology for forging love connections completely changed his perspective — he had to sit back and listen to the interactions (not knowing any words in Italian) to understand her process. Following the premiere of 107 Mothers (check out our interview) at the Venice Film Festival in 2021, the Slovakian director continues to explore the hybrid documentary realm with his latest work, Wishing on a Star (2024), also selected for the Lido.… Read the rest

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La cache (The Safe House) | 2025 Berlin Intl. Film Festival Review

La cache (The Safe House) | 2025 Berlin Intl. Film Festival Review

May Days: Baier’s Broad Commentary on a Revolutionary Footnote

Lionel Baier La cache (The Safe House) Review“Great minds discuss ideas; average minds discuss events; small minds discuss people,” said Eleanor Roosevelt. Dipping its irreverent toes into each of these camps is The Safe House, the latest film from Swiss director Lionel Baier, adapted from the novel by Christophe Boltanski. And Baier most assuredly wants the audience to recognize the origins of the source material, with narration often breaking the fourth wall to remind us we are watching the reenactment of a publication, arguably docu-fiction, which presents a curious event which transpired at the home of a quirky artistic family during the civil unrest of May, 1968.… Read the rest

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Timestamp | 2025 Berlin Intl. Film Festival Review

Timestamp | 2025 Berlin Intl. Film Festival Review

Schools of Survival: Gornostai Probes the Resiliency of Ukraine’s Education System During Wartime

Kateryna Gornostai Timestamp ReviewDespite reflecting the distressing normalization of wartime on an entire generation of Ukraine’s youth, there’s a semblance of hopefulness in Kateryna Gornostai’s Timestamp, a documentary which was shot across 2023/2024 throughout the country as Russia’s continued aggression re-shapes day-to-day experiences. What’s hopeful remains in the resiliency of ongoing education for children who aren’t able to attend in-person classes, either because of ongoing air raids or, in some cities, where school houses have not yet been rebuilt. A self-professed mosaic presentation, the film drifts between various Ukrainian cities, confirming their status as liberated or destroyed, as well as their distance from ongoing war zones.… Read the rest

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Third Anniversary of Solidarity With Ukraine – Maciej Ślesicki & Filip Hillesland’s “Ludzie” Screened Across the Globe

Third Anniversary of Solidarity With Ukraine – Maciej Ślesicki & Filip Hillesland’s “Ludzie” Screened Across the Globe

The Warsaw Film School is proud to announce a worldwide film screening event to mark the third anniversary of the ongoing war in Ukraine. Entitled Third Anniversary of Solidarity With Ukraine, this international event will showcase multiple screenings of the feature fiction film LUDZIE (PEOPLE), directed by Polish filmmakers Maciej Ślesicki and Filip Hillesland, across 36 cities in 33 countries (complete list below), beginning February 19, 2025 until March 5, 2025. LUDZIE is produced by Maciej Ślesicki of the Warsaw Film School.

Artur Zaborski, event organizer: “We’re immensely proud to showcase the Third Anniversary of Solidarity With Ukraine as the very first film event of its kind to commemorate the war in Ukraine on such a broad global scale, with screenings of LUDZIE across 36 cities in 33 countries.Read the rest

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Kontinental ’25 | 2025 Berlin Intl. Film Festival Review

Kontinental ’25 | 2025 Berlin Intl. Film Festival Review

Can You Ever Forgive Me?: Jude Skewers the Status Quo

Radu Jude Kontinental 25 Movie ReviewOwnership is an unsaid key word in Kontinental ’25, the latest perambulating spasm from Romanian director Radu Jude, which navigates an intersection of self-accountability, property, language, and culture as precarious notions in a nation bulldozing itself into capitalism’s future. A more omnipresent notion is guilt, mainly regarding its main protagonist, an empathetic bailiff who finds her world turned upside down when a homeless man she was in the process of evicting commits suicide. What follows is an endless parade of guilt performance as a way to reach absolution, perhaps more so in a public realm than the personal.… Read the rest

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Yunan | 2025 Berlin Intl. Film Festival Review

Yunan | 2025 Berlin Intl. Film Festival Review

Nothing is Everything: Eldin’s Continuing Exploration of Existential Crisis

Ameer Fakher Eldin Yunan Movie ReviewFor his sophomore film Yunan, intended as the second chapter in a thematic trilogy following 2021’s The Stranger, director Ameer Fakher Eldin presents a parable within a parable as a disillusioned writer contemplates suicide. The milk of human kindness, and what appears to be a metaphorically biblical flood, reinvigorates his zest for life. Aided by accepting an epiphany, which basically regards the reality we are all destined to die and be forgotten (which Nirvana might have stated more eloquently as ‘all in all is all we are’), we follow him on his journey towards a peaceful reckoning to enjoy the present.… Read the rest

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Dreams (Sex Love) | 2025 Berlin Intl. Film Festival Review

Dreams (Sex Love) | 2025 Berlin Intl. Film Festival Review

Love on the Brain: Haugerud Caps Trilogy with Teenage Wasteland

Dag Johan Haugerud Dreams 2025 ReviewWith his latest film Dreams (Sex Love) (aka Drømmer), the final installment in his thematic trilogy, Norwegian director Dag Johan Haugerud clasps his most cohesive segment on a teenage girl’s ineffable, transformative brush with first love. The title of each film in the trilogy can feel misleading as each segment/situation/character is caught up in the intersection of these three states, each designed to reflect on the angle of intention. So perhaps it is most appropriate that the formative stage of desire, which leads to sex and love, begins in the mind of a dreamy seventeen-year-old who is led to comprehend her own awakening by comparing unnamed emotions to those of a fictional girl she first reads about in an obscure French novel.… Read the rest

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Interview: Muhammed Hamdy – Perfumed with Mint (2024 Marrakech Intl. Film Festival)

Interview: Muhammed Hamdy – Perfumed with Mint (2024 Marrakech Intl. Film Festival)

Steeped in darkness and stillness, there is this pervasive sense of longing that permeates the ruins, not entirely deserted, structures of an unnamed section of Cairo. Here, in these communal spaces, the restless spirits of the dissatisfied mingle with the living (who suffer)—yet the lingering question persists: who, truly, are the living? Perfumed With Mint, a Venice Film Festival (Venice Critics’ Week) selection sees its figures transpose — an overlap and rhythm we felt in Pedro Costa’s Vitalina Varela and Apichatpong Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives. An Emmy-winning Egyptian cinematographer, Muhammed Hamdy‘s directorial debut is infused with a hypnotic visual aestheticism with a political subtext that uses humor almost like a medicinal herb not unlike the thick air that ruminates throughout the feature.… Read the rest

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