Dole Days: Arnold Flutters About with Strange Bedfellows
There’s certainly a definable emotional core in Andrea Arnold’s fifth narrative feature, Bird, but the ideas and themes tying it all together are about as wispy and freewheeling as scattered feathers drifting along the course of a gently idling wind. Once again mixing anthropomorphic inspired motifs with working class realities, Arnold’s new marriage of social miserabilism and magical realism sadly feels a bit exploitative as it rushes through thinly drawn characters and connections before gliding into a pat, feel-good resolution. Whether due to methods of improvisation without a clearly defined script or a rushed edit to make the demands of its world premiere, Arnold’s latest is something of a disappointment, playing as it does so fiercely into the eternally forgiving arena of the sentimental.… Read the rest
“The only thing necessary for the triumph of evil is for good men to do nothing.” The oft cited quote from 
