Author page: mrqe

NYC Weekend Watch: Samuel L. Jackson, Akerman-Duras, Compensation & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Museum of Modern ArtAs the career-spanning Johnnie To retrospective continues, a Samuel L. Jackson series includes Pulp Fiction, Jackie Brown, and Jungle Fever on 35mm. BAMA Duras-Akerman double bill plays Sunday. Film at Lincoln CenterNYFF Revivals continues with films by Robert Bresson, Raymond Depardon, and Clive Barker, Compensation, and more. Film […]

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Friday One Sheet: ENTELEQUIAS

With a tagline of “Imagination is not always perfect,” Darío Autrán’s Entelequias, if judged by its desaturated, asymmetrical, vertically distorted key art, looks to be playing in the narrow liminal space between Solaris and eXistenZ.  This poster eschews a standard credit block, instead placing actor, director and writer in one corner, its tagline blocked in the middle, and varying width bands off to the right, where the characters are repeated, but all seem to be glancing at a burning book, the only source of real colour here. Perhaps a text by Aristotle? The film’s title, Entelequias, was coined by Aristotle back in the day, and can be translated as “having the end in itself,” but in Spanish it has come to colloquially mean, “an unreal thing.” Argentinian designer…

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V/H/S BEYOND Review: Horror Anthology Goes to Outer Space and Back

If it’s October, it’s practically Halloween and if it’s Halloween, then it’s time for Shudder’s horror-themed found footage anthology, V/H/S, to make its yearly return to the streaming service.  V/H/S Beyond, the fourth entry in as many years, its seventh entry across two decades, and ninth overall (including spin-offs), once again doesn’t disappoint, delivering enough splatter, gore, and grue to fill several entries, let alone a single standalone entry running under two hours. Across six entries, including the obligatory wraparound segment, V/H/S Beyond retains its emphasis on horror but leans more heavily into science fiction than previous entries, bringing extra-terrestrials to Earth for decidedly unfriendly contact in half the segments, technology gone awry in another, a Doctor Moreau-inspired taxidermist with an unhealthy canine fixation in…

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Tropical Tapestry: Apichatpong Weerasethakul Won’t Shoot ‘The Fountains of Paradise’ before 2026

Tropical Tapestry: Apichatpong Weerasethakul Won’t Shoot ‘The Fountains of Paradise’ before 2026

In an interview with Les Inrocks folks, Apichatpong Weerasethakul revealed that his upcoming project, the tentatively titled The Fountains of Paradise, is unlikely to begin shooting until 2026. The Thai filmmaker shared that he is currently in the process of writing, scouting locations, and essentially discovering the essence of the film in real time — no logline was offered. So we see this as a potential 2027 release. Tilda Swinton, with whom Weerasethakul expressed a desire to collaborate on many future projects, will star in their second film together, set against the backdrop of Sri Lanka.

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NYFF Review: The Friend Amply Portrays Grief with an Admirable Naomi Watts Performance

Independent filmmaking duo Scott McGehee and David Siegel’s The Friend, their newest in a 30-year collaboration, is a dog movie. Or, more aptly, it’s a film about a dog and Iris (Naomi Watts), a woman who hates dogs. Iris inherits a Great Dane, Apollo, from her late friend, mentor, and lover Walter (Bill Murray). The […]

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Posterized October 2024: Rumours, Woman of the Hour, La Cocina & More

Beyond Joker: Folie à Deux (October 4) and Smile 2 (October 18), this month is light on studio power. The indies are surely champing at the bit to fill the gap with a slew of festival darlings getting their limited releases in before Oscar voting. Searchlight, Focus Features, Neon, and A24 are all jockeying for […]

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