(The 2024 Middleburg Film Festival ran October 17-20. Check our Chris Reed’s No Other Land movie review. Seen it? Join the conversation with HtN on our Letterboxd Page.) In the recent Edward Berger film Conclave, the character played by Ralph Fiennes delivers a speech in […]
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Seven years since You Were Never Really Here debuted at Cannes and with many false starts in-between, Lynne Ramsay is finally set to return. The Martin Scorsese-produced Die, My Love began shooting in recent months with Jennifer Lawrence, Robert Pattinson, and LaKeith Stanfield, and today first stills of Lawrence and Pattinson have been revealed. An […]
The post First Look at Lynne Ramsay’s Die, My Love Featuring Jennifer Lawrence and Robert Pattinson first appeared on The Film Stage.
Now that they’ve set the year’s best film for a December 10 debut, the Criterion Channel have unveiled the rest of next month’s selection. John Waters’ films are inseparable from John Waters’ presence, making fitting Criterion’s decision to pair an eight-film retrospective (Multiple Maniacs to Cecil B. Demented) with his own “Adventures in Moviegoing” wherein […]
The post December on the Criterion Channel Includes Bob Dylan, John Waters, MTV & More first appeared on The Film Stage.
To the sounds of cicadas during a Tokyo summer, 11-year-old Karin and her father Tetsuya leave the city by train to visit a countryside temple where the caretaker is the grandfather she has never met. It is a grand old property at the edge of a forest, near a sleepy little fishing village. Local spirits abound. Wait. Does this all sound kind of familiar? After 40 years of Studio Ghibli creating masterpiece upon masterpiece, the animation house was sold off to Nippon TV at the end of last year due to a lack of any successors to its founders: Miyazaki-san, who seems to have retired for real this time after many false attempts, and Takahata-san, who passed away in 2018. Given that there may not…
Payal Kapadia’s soul-stirring docudrama, A Night of Knowing Nothing, delicately weaved together India’s national politics, student protest movement, cinema, and its nostalgia in 2021. Her follow-up narrative film, All We Imagine as Light, proves that she is one of the most exciting new talents emerging in the current international cinema scene. All We Imagine as Light starts with the documentary style footage of bustling Mumbai, as its citizens start the day in a ‘city symphony’ style intro, paired with voice-overs of actual workers who came to the big city, looking for work: street vendors getting ready for their businesses, people hanging on the back of trucks in a packed traffic, large crowds milling into commuter train stations, filling in on crowded train cars, talking, sharing…
An unusual family lives an unusual life in Mark H. Rapaport’s Hippo, one of the stranger films that has played at the Fantasia Film Festival. Rapaport drops us into a suburban dystopic home where society’s rules don’t seem to apply, and no subject is too taboo to elicit nervous laughter. Hippo (Kimball Farley) and his Hungarian adopted sister Buttercup (Lilla Kizlinger) share a troubling relationship with each other and their mother, Ethel (Eliza Roberts), as they approach adulthood wholly unprepared for the world outside their doors. A young man on the verge of adulthood, Hippo is an odd duck. He spends his days playing video games, bossing around his mother, and searching for automatic weapons on the internet. It’s the late ‘90s, two of these…
In Andrea Arnold’s Bird, Irish actor Barry Keoghan plays a father of two teenagers. In the film, he had both children when he, too, was a teenager. He’s brash with tattoos everywhere, completely focused on an upcoming wedding with his three-month girlfriend. It’s a stellar performance from him, imbued with his own recent experiences of […]
The post Barry Keoghan on Young Fatherhood, Loving La La Land, and the Movement of Andrea Arnold’s Bird first appeared on The Film Stage.
Life in a lost country comes into focus in one of DOC NYC’s most acclaimed selections, There Was, There Was Not. Emily Mkrtichian makes her directorial debut with this documentary that follows the lives of four women in Artsakh, a […]
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