The Chalice of Sorrow (1916)

Isabel Clifford sits to be painted. Her artist is Marion Leslie, a man distracted by matters of the flesh. Not Isabels flesh but Loreleis, the same Lorelei who wows the corrupt police chief, Sarpina, with her virtuoso vocal performances. She is Mexicos most celebrated opera diva, Marions fiancé, and Sarpinas passion, yet she boils with petty suspicion over Marions friendship with Isabel.